From the 19th
century: Thomas Nast's vision of old Saint Nick.
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Every December 24th millions of
people are visited by a short, fat guy in a red suit. Where did
he come from, why does he do it, and how does he accomplish this
seemingly impossible task?
Santa Claus... Kris Kringle...Old Saint Nick...
We see him on advertising posters, in parades, at departments
stores...who is this guy and why does he have so many aliases?
Well, the original St. Nicholas lived in southwestern Turkey in
the 4th century. As the bishop of Myra he was credited with doing
a number of miracles involving sailors and children. After his
death this led him to become the patron saint of both groups as
well as for unmarried girls. As a saint he was given his own "feast
day" that was celebrated on December 6th.
At about the same time Nicholas lived, Pope Julius
I decided to establish a date for the celebration of the birth
of Jesus. As the actual time of year for this event was unknown,
the Pope decided to assign the holiday to December 25th. There
had long been a pagan midwinter festival at this time of year
and the Pope hoped to use the holiday to christianize the celebrations.
Eventually, Saint Nicholas's feast day also became
associated with December 25th and his connection with Christmas
was established. A tradition developed that he would supposedly
visit homes on Christmas Eve and children would place nuts, apples,
sweets and other items around the house to welcome him. As the
reformation took a hold of much of Europe, however, the popularity
of St. Nicholas dropped in most Protestant countries, with the
exception of Holland where he was referred to as "Sinter Klaas."
After this tradition came to the United States, "Sinter Klass"
would eventually be corrupted to "Sancte Claus."
America's
Santa
Saint
Nicholas or "Sancte Claus," in a woodcut by Alexander
Anderson done for the New York Historical Society.
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It's been said that Dutch settlers brought the tradition
of Saint Nicholas to the North American city of New Amsterdam
(which the British would later rename "New York"). However, research
shows there's little evidence that Nicholas played much of a part
in these early settlers' celebrations. It seems more likely that
Saint Nicholas became an American tradition during a wave of interest
in Dutch customs following the Revolutionary War. Washington Irving
(of Sleepy Hollow fame) included him a comic History
of New York City written in 1809. John Pintard, founder of
the New York Historical Society, took an especially keen interest
in the legend and the Society hosted its first St. Nicholas anniversary
dinner in 1810. Artist Alexander Anderson was commissioned to
draw an image of the Saint for the dinner. He was still shown
as a religious figure, but now he was also clearly depositing
gifts in children's stockings which were hung by the fireplace
to dry.
Perhaps nothing has fixed the image of Santa Claus
so firmly in the American mind as a poem entitled A Visit from
St. Nicholas written by Clement Moore in 1822. Moore, a professor
of biblical languages at New York's Episcopal Theological Seminary,
drew upon Pintard's thinking about the early New Amsterdam traditions
and added some elements from German and Norse legends. These stories
held that a happy little elf-like man presided over midwinter
pagan festivals. In the poem, Moore depicts the Saint as a tiny
man with a sleigh drawn by eight miniature reindeer. They fly
him from house to house and at each residence he comes down the
chimney to fill stockings hung by the fireplace with gifts.
Moore had written the poem for the enjoyment of
his own family, but in 1823 it was published anonymously in the
Troy Sentinel. It became very popular and has been reprinted
countless times under the more familiar title, The Night Before
Christmas.
Where did Moore get the reindeer? The Saami people
of northern Scandinavia and Finland often used reindeer to pull
their sledges around and this found its way into the poem. Reindeer,
which are much sturdier animals than North American deer,are well
adapted to cold climates with their heavy fur coats and broad,
flat hooves for walking on snow.
Norman
Rockwell's 1921 cover for the magazine The Country Gentleman
shows Santa with his modern red and white theme.
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As time went by, more and more was added to the
Santa Claus legend. Thomas Nast, a 19th century cartoonist, did
a series of drawings for Harper's Weekly. Nash's vision
of Santa had him living at the North Pole. Nash also gave him
a workshop for building toys and a large book filled with the
names of children who had been naughty or nice.
The 19th century Santa was often shown wearing outfits
of different colors: purple, green and blue in addition to red.
This slowly faded out so that by the beginning of the 20th century
the standard image of Santa Claus was a man in a red suit trimmed
with white. The Coca-Cola company has often been cited for cementing
the image of Santa with the colors red and white through a series
of popular advertisements in the 1940's depicting Saint Nick enjoying
their product (Coca-Cola's company colors are red and white).
However, Santa was already well associated with these colors by
that time. American artist Norman Rockwell had done a number of
paintings with Saint Nick wearing red and white including A
Drum for Tommy which appeared on the cover of The Country
Gentleman in 1921. The truth is that by the time the Coke
ads came out, Santa, in the public's mind, was already wearing
only the modern version of his colors.
Santa
Physics
Santa has been very popular in the 20th and 21st
centuries but in the past few years he has had a few detractors.
In January of 1990, an article appeared in Spy magazine
under the name of Richard Waller that was skeptical of Santa's
capability to do what he supposedly does each Christmas Eve. The
article, after its initial appearance in the magazine, was republished
innumerable times on the web and emailed all over the Internet.
Among other things Waller calculated that Santa,
moving from east to west around the globe, could use the different
time zones and the rotation of the Earth to extend his night for
as long as 31 hours. Since he needs to visit approximately 92
million households (the number of Christian children divided by
the average number of children per household) according to Waller
this means he needs to travel approximately 75.5 million miles.
The article states that the distance divided by the time means
Santa's sleigh must move at a speed of 650 miles per second, 3000
times faster than the speed of sound, to complete its route.
What about
Rudolph?
Almost
as popular as Santa himself is his sometimes lead reindeer
with a glowing red nose, Rudolph. Unlike Santa's history,
the story of Rudolph can be traced back to a specific
author: Robert L. May. May was a copywriter for Montgomery
Ward department stores in 1939. The company had been buying
and giving away coloring books at Christmas time for many
years. May's boss thought they could save some money by
printing their own books and asked May to come up with
a story. May thought up the idea of a misfit reindeer
who saves the day for Santa on a foggy Christmas Eve.
The
story took off, but unfortunately May did not own the
rights. His employer, Montgomery Ward, did. With a generosity
not often seen in the corporate world, in 1947 the company's
President turned the rights over to May, who was in debt
because of his wife's terminal illness. With a hit song
written in 1949 by May's brother-in-law, Johnny Marks,
and a TV special in 1964, May's financial security was
assured and Rudolph earned a permanent spot in American
Christmas pop culture.
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Waller then went on to calculate that if every child
gets a two-pound present, Santa's sleigh must weigh about 321,300
tons. He then ups that figure to 353,430 tons to account for some
214,200 reindeer he thinks would be needed to pull that heavy
a sleigh. This total weight is about four times that of the Queen
Elizabeth.
The article ends by noting that if the sleigh and
team attempt to move through the atmosphere at 650 miles per second
they would be exposed to enormous air resistance (the same way
a spacecraft gets heated upon reentering the atmosphere) and they
would explode in flames. Waller sarcastically ends the article
noting that if there ever was a Santa, given the acceleration
forces such a flight would subject him to, he must now be dead.
High-Tech
Saint Nick
Numerous rebuttals have been written to the Spy
magazine article. Some point out that there are flaws in Waller's
calculations or assumptions. For instance, the payload problem
could be handled by making numerous returned trips to the pole.
It increases the length of the total trip by a tiny fraction,
but divides the weight of the sleigh by the number of return trips.
Other writers note that Christmas does not come
on the same day in all countries. Orthodox churches celebrate
Christmas a few days after December 25th which means Santa gets
at least two shots a year to complete his mission. One writer
noted that the number of stops needed in the calculation is incorrect
since dividing the total number of children by the average number
of children per household to get the number of stops does not
consider families where there are no children at all.
Roger Highfield, who wrote the book Can Reindeer
Fly? The Science of Christmas, suggests that Wallers has not
considered that Santa might have some high tech solutions to his
problems. For example, "inertial dampers" - a device
that's referred to in the Star Trek movies to keep the
crew from getting shmoshed as the Enterprise accelerates
to Warp 8 - could be used by Santa to solve his high-acceleration
problems. The technology isn't known to our science, but to Santa,
well, who knows?
In fact some people have even suggested that Santa
has the technology to manipulate time. By creating an artificial
time bubble around his sleigh and his person, he could speed himself
up as much as he needed. Again, this is far beyond human technology,
but...
However Santa does it, he seems to manage each year
to delight millions of children on Christmas morning as he has
done for over a century. Perhaps it's just magic.
Copyright
2003 Lee Krystek. All Rights Reserved.